Rock and Roll Tribe

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It doesn't really happen anymore but, once upon a time, artists occasionally went to war with their labels, often resulting in some amazing musical artifacts.

 

Here are two of my faves:

 

1. Rolling Stones "Cocksucker Blues"  the Stones owed Allen Klein one more single, and they delivered one of the most unreleasable songs ever.  A slow droning blues about a young schoolboy who comes to London and, well, you need to track it down to hear the rest.

 

2. Van Morrison "The Bang Sessions" - Van the man sat on a stool in a recording studio and knocked out an album of off the cuff ditties, usually about whatever he was looking at in the room.  My fave track?  "I'll Have a Danish"

 

Other great ones include Lou Reed's Metal Machine Music and Graham Parker's Mercury Poisoning.

 

What've you got?

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Thanks for leaving this one on the tee to drive down the fairway:

I love the way it becomes "Roadrunner" at the end.

Less known - "Stuck On An Island" by the Coal Porters - their nasty take on being a member of the Island Records stable and not liking it one bit.

Slightly off theme (but not too much) - "Don't Take No For An Answer" - Tom Robinson's poke at how he was treated by Ray Davies.

and how about John Fogerty going after his former business manager in the original Zanz Kant Danz - http://www.youtube.com/watch?v=qAEd_U7TEEM

http://www.youtube.com/watch?v=qAEd_U7TEEM

Tom Petty reportedly wrote "Century City" in reference to his well-publicized battle with EMI in the 70's.

Then, of course, there was Marvin Gaye, whose contractual obligation was not to his record company, but his ex-wife. Ordered by the divorce settlement to turn over the proceeds from his next album, he recorded "Here, My Dear", and told the world exactly what he thought about it, over two discs, no less. But I guess that's for another thread ...

 

I seem to recall that the title of Petty's album "You're Going to Get It" came from a mock threatening he note he left for a company exec when the label wanted to charge an unusually high list price for that album, and Petty objected because it would hurt his fans in the wallet.

My favorite is Cracker's- It Ain't Gonna Suck Itself off of Country Sides.  It's about their release from Virgin Records.  It's brilliant and funny. Check it out.

http://youtu.be/kd-2Mj7mh3Q

More of this story is explained in his live recordings circa '77-78 and the "Baby Snakes" film.

 

This might be just sightly off topic, but Sugar's "Needle Hits E" is a great F-U to MTV. But if we're talking about record lables only, my vote goes to Graham Parker's Mercury Poisoning ( although The Sex Pistol's EMI was certainly great).
Almost forgot....Prince had a great F-U to the entire music industry on his Diamonds and Pearls album.

I think you mean Emancipation.  It celebrates, in part, the end of his contract with Warner Bros.  Songs like "Face Down," "White Mansion," "Slave," and the title track let him express his feelings about his newfound creative freedom.  Arguably, the so-called "Love Symbol Album" was the first shot fired by Prince.  His unpronounceable name change must have wreaked havoc for the label's promotional efforts.

Was gonna suggest GP's "Mercury Poisoning" - excellent on the vitrol and a quality song to boot.  (Whole other topic would be songs that condemn the music industry -- there are many great ones!)

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