Gary Pig Gold On His 40 Favorite Beatles Tracks

We're proud to announce that the legendary Gary Pig Gold is now a special contributor to the Rock and Roll Tribe!  Gary has done it all in his career, making his mark as a singer-songwriter, record producer, filmmaker and author.  Wanna know more about this remarkable rocker?  Check out his Wikipedia page and visit his fab website GaryPigGold.com

For his first Tribe piece, Gary tackles a big subject -- The Fab Four -- by selecting his favorite 40 tracks by the boys from Liverpool.

One of the greatest drummers on the planet just turned seventy (!!) a few days ago, and it was beyond touching to see Yoko Ono boogaloo’ing right alongside him across the stage of Radio City Music Hall to the timeless tuneage of, most naturally, “With A Little Help From My Friends.”

Which got me to throwing his old band’s Big Box Set (mono, of course) onto the trusty Pig Player yet again, all so that I may hearby present to the Tribe:

Gary Pig Gold’s

FAB FORTY

1) PLEASE PLEASE ME

…and, with the supreme Beatle ballad “Ask Me Why” on its original flipside, perhaps the greatest one-two career launcher in pop-rock history.

2) IT WON’T BE LONG

As you’ll soon realize, John is my unapologetically favorite mop top, and he was positively on fire throughout my fave Fab album, With The Beatles. Elsewhere upon same, “Not A Second Time” and “All I’ve Got To Do” were pure Smokey Robinson-worthy young Lennon gems, while Paul’s “All My Loving” – not to mention George’s first-ever ditty “Don’t Bother Me” – also helped make the band’s second album an end-to-end unbeatable beat group classic.

3) STRAWBERRY FIELDS FOREVER

Arguably the very pinnacle of the band’s studio concoctions …before they started getting altogether too magically mysterious for their own good, that is. And STILL the greatest fade-out(s) ever committed to vinyl to boot.

4) I DON’T WANT TO SPOIL THE PARTY

Both Everlys notwithstanding, The Beatles suddenly invent alt. country and, coupled with “Eight Days A Week,” produce in the process their first of many 1965 North American chart-toppers.

5) TOMORROW NEVER KNOWS

If you hadn’t already realized during its previous thirteen songs, Revolver has just forever re-written musical history right before your very ears.

6) A HARD DAY’S NIGHT

The undeniable State of the Art, 1964-model. Listen closely for the driving bed of bongos, not to mention that stellar George M. vs George H. piano-guitar solo (…and not a bad li’l movie they stuck after it either!)

7) HAPPINESS IS A WARM GUN

Lennon truly was pop’s Picasso, compositionally-speaking, and only The Beatles could’ve made it successfully thru this dizzying mini-History of Rock ‘n’ Roll with the help of only three or four tape splices.

8) GOOD MORNING GOOD MORNING

Stripped of all its Pepper down to the rhythm track alone, as the Anthology 2 version demonstrates, we realize how great a tight little band The Beatles really were …even after a whole year off the road!

9) EVERYBODY’S GOT SOMETHING TO HIDE EXCEPT ME AND MY MONKEY

…and this totally Pepper-free hum-ringer must’ve been even more fun to record than “Birthday,” “Hey Bulldog,” or maybe Lennon’s Ninth (“Revolution”).

10) I’LL BE ON MY WAY

Along with “Hello Little Girl,” the nascent Lennon and McCartney’s keenest Buddy Holly re-write ever …though you must admit Billy J. Kramer, as opposed to them Beatles, recorded the definitive rendering.

11) I FEEL FINE

The first feedback on record, as John once claimed? Link Wray might just have something to say about that. But there certainly was nothing finer to be heard over Christmastime 1964 …and THAT’S the truth.

12) I SAW HER STANDING THERE

The album-opener to start all album openers ...or, as producer-extraordinaire Sir Big George Martin would so aptly characterize it, “a potboiler.” Why, even the other George’s wholly-Hamburg-drenched guitar solo lives up to Paul’s proto-Dee Dee count-in!

13) I’LL BE BACK

Add the lads’ always-shimmering three-part barbershop chorale atop John’s loving tribute to the late, very great Del Shannon’s trademark major/minor way with a song structure, and you have the album-closer to end all albums.

14) I’M DOWN

Meanwhile, Paul gamely wrestles Little Richard to the studio floor …whilst telling Jerry Lee the news.

15) THANK YOU GIRL

This raw diamond, which along with “Misery” Squeeze particularly built a whole vocal career after, truthfully deserves much more notice after four decades spent languishing upon the underside of that original “From Me To You” single.

16) BABY YOU’RE A RICH MAN

And on the subject of Great Lost Beatle B-sides, this big-bass and Clavioline-driven sing-along has aged so much better than its Summer of Love topside, “All You Need Is…” …now what was that word again??

17) COME TOGETHER

Wherein Lennon caps his Fab career with a slyly-subtle slice of Liverpool funk. And, as always, Ringo positively SHINES. So much for the rest of Abbey Road though…

18) LOVE ME DO

So frequently poo-poohed coz Brian Epstein could only buy its way up to Number 17 on the hit parade. Yet as no less an authority as Raymond Douglas Davies has always attested, The Beatles’ vinyl debut nevertheless pricked up all the right ears all over Britain during that otherwise uneventful winter of ’62.

19) IT’S ALL TOO MUCH

…and I guess it is, clocking in as the not-so-quiet Beatle’s long long longest Northern Song ever. Still, I can so much more easily hear it closing Sgt. Pepper rather than that other epic production “A Day In The Life,” can’t you? No?? oh, well…

20) THERE’S A PLACE

Somehow telepathically (though monophonically) linked since ’63 with Brian Wilson’s “In My Room” as two of the most deeply touching agoraphobic studies of all time.

21) I SHOULD HAVE KNOWN BETTER

Here our heroes, lead again by John, toss off one of the greatest deceptively-arcane musical throwaways of the era with one harmonica holder tied behind their backs. Plus George says it all with the last twelve-strung note of his guitar solo, as usual.

22) I WANT TO HOLD YOUR HAND

The crowning jewel which, rightfully so, took Beatlemania global …and opened B. Dylan’s ears especially to a certain misheard phrase in the bridge, just as importantly it turns out.

23) MARTHA MY DEAR

The most beloved song ever written to a sheep dog? Irregardless, it is that most infrequent instance of a McCartney composition which is perfectly, regally understated in both arrangement and execution. Hence its rare, pure, and SIMPLE (got that, Paul?) charm.

24) DAY TRIPPER

The boys gamely take on the twin late-’65 titans of the Stones and Stax …and, wouldn’t you know it, cross the line with flying colours.

25) ACROSS THE UNIVERSE (Spector version, btw!!)

So maybe its words do flow out endlessly, but WHAT a tune! (no doubt inspired by George’s most-melodious “Inner Light” being completed that very same week).

26) NOWHERE MAN

The Beatles meet The Byrds.

27) DEAR PRUDENCE

What happens when you take your guitar, and Donovan, to India with you. And then one of your playmates won’t come outside. Superb drumming as well …by Paul this time though!

28) NO REPLY

Hey! A Beatle samba, with an actually complete lyrical narrative along the way. Before John fell off Dylan’s deep-end altogether with “You’ve Got To Hide Your Love Away,” mind you.

29) THINK FOR YOURSELF

Can you think of any other song, Fab or otherwise, that can employ a word like “opaque” – not to mention a fuzz-toned bass – and get away with it?

30) GETTING BETTER

Paul’s ever-cute cleverness pretty near capsized the Peppery proceedings in all too many places, but for these two-minutes-forty-seven he’s kept keenly in check (“…can’t get much worse”).

31) TICKET TO RIDE

The first heavy metal song, as John once claimed? Oh, boy…

32) YOU KNOW MY NAME (LOOK UP THE NUMBER)

Until Apple Inc. gets around to compiling all of the band’s great goonish Christmas recordings on one shiny disc, there’s always this inspired chunk of Brian Jones-saxed lunacy readily available on a compilation and/or file-sharing trough near you.

33) AND YOUR BIRD CAN SING

The Beatles BEAT The Byrds!

34) CRY FOR A SHADOW

George was only… how old, when he helped create this delightfully mock-Marvin (as in Hank of the Shadows) Hamburg set-stretcher?!!

35) THINGS WE SAID TODAY

Finally! The first McCartney effort to hold its own against a Johnsong.

36) YES IT IS

Barely-in-tune British doo-wop …and the greatest Beatle backside since its first cousin “This Boy.”

37) HOLD ME TIGHT

Similarly suspect in the vocal pitch dept., but it’s about as close to, yes, heavy metal as these four comparative short-hairs ever got during the once-swinging Sixties.

38) SHE SAID SHE SAID

Metal doesn’t even BEGIN to describe the veritable wall of Epiphones which took less than three minutes to raise even Peter Fonda from the near-dead.

39) HELP!

Sure, the movie’s a clinker, but the song is as harrowingly autobiographical as anything on Pet Sounds …AND you can frug to it!

40) YOU CAN’T DO THAT

When all is said and sung, however: GOTTA have cowbell...

Meanwhile, in between getting all fab, Gary can always be found Right There at

www.GaryPigGold.com